64sunburst wrote:Initially it was the pictures of a Ventures Mosrite on the album back (and front) covers. I don't think that was subliminal at all - it was direct and hit me right in the face

....../ /...... Veenture, I'm guessing you dig that album too, judging by your avatar.....
Byron, you know, for me it really was subliminal.
Since my first love was the Fender Stratocaster –exclusively (!), my need for a Mosrite could only hit me -as it did- at a much later stage… See, in my day everyone in -and outside of- the classroom either went for, or dreamt only…“FENDER”, period. It was the start of the 60’s and bear in mind that also the Ventures played on Fenders at first and so contributed also to Fenders’ popularity in no small way.
Mosrite didn’t hit the big time until 1963 when the Ventures switched to Semie’s guitars as most of us here already know but I wholeheartedly agree with you about the MOSRITE SOUND as you described so well; I couldn’t have said it better myself, thanks!
Yes, the magical combination of the combined musical talents of the group (but especially Nokie), together with Mosrite-TONE, struck just the ‘rite chord in so-many-a-soul!
And it’s appropriate at this time to mention what a stroke of good fortune it was that NOKIE EDWARDS was befriended with SEMIE MOSELEY and happened to like his product! And in later years of course, the RAMONES added their bit to Mosrite fame and desirability too, as I have learned on this fine forum (sometimes classroom, heh, heh).
I most certainly dig the LP “The Ventures KNOCK ME OUT”, however my copy is one of the notorious faulty pressings with the “wrong track” i.e. track #3 on side one says “Tomorrow’s Love” but in fact is “Love Goddess Of Venus” which had already been previously released and now duplicated here. Now listen to this:
During the nineties and onwards I started collecting all Ventures’ tunes on CD and I virtually flipped when I heard the real Tomorrow’s Love for the very first time after so many years! It immediately became one of my absolute favourites too; in fact the whole album, along with albums “Walk Don’t Run Volume 2” and “The Fabulous Ventures”. If there is one (overdriven) type of sound I wish to reproduce with my equipment, it’s that sound on those three albums but sadly I don’t know the formula for it (yet).
Really appreciate your input!
Paul