In case you haven't figured it out already, if a Mosrite guitar has a serial number it is usually stamped between the two highest frets on the fretboard.

Most will have s/n's, some will not...
sumlin wrote:A few Bluesbenders in action (not sure of the serial #s)
John Reis in the studio with Hot Snakes last year:
https://www.instagram.com/p/BQwF5hQhgXj ... =otisserie
Eric Erlandson from Hole in 1990 - this one looks almost exactly like mine (#162) in terms of the marks and dings you can see but the seller never mentioned it so...
Jim Diamond (Detroit garage rock producer) had a black Bluesbender he was playing as a sort-of-bass in the band Bantam Rooster when they toured with the Dirtbombs in the early 2000s. They stayed at my house in the UK and he showed me it - said it wasn't really a Mosrite, it was kind of their 'budget' model if I recall correctly. Can't find a pic though...
Lastly, I remember seeing a Bluesbender in the UK magazine The Guitar Magazine in the collection of Ross Godfrey who plays with the band Morcheeba, it's a red-burst one:
chartbreaker wrote:you can add number N0101 in brown. It carries with it great history for me. I bought it from a reputable shop who bought out another shops inventory that went broke. It was sold to me as new in '75 or '76. I was told the guitar was a "new old stock" '69 that went unsold for several years. There was not a mark or scratch anywhere, even the pickguard. So given the guitar's condition, the case condition (virtually perfect) and the dealer's reputation as a stand-up guy, I had (and still have) no reason to disbelieve what he told me. Of course without a paper trail anything is possible. No, I didn't get a warranty card or any other paperwork other that a hand-written receipt that was immediately lost or tossed.
My Blues Bender is still one of the best playing axes in my nearly 50 year collection (20 or 30 guitars and basses along with all the usual keyboards, drums, amps, stompboxes, and miles of electrical spaghetti). Frets are severely worn yet still no buzz anywhere. Neck is still laser-straight. Like most Mosrites that worked for a living, the finish is seriously cracked with several chips. Original pickups still sing like new. Still sports the original pots and switches that continue to work flawlessly. It was my main gigging axe for over ten years until I switched to bass decades ago to get more gigs (I've since retired from stage/studio work). If I ever have to start selling off my gear collection, my Mosrite will be the very last thing to go and tears will be shed doing it...
Over the years this Mosrite has been left in trucks or car trunks for days during road trips (both winter and summer), gigged outdoors in freezing temperatures in winter and out in the hot sun in summer, kicked, dropped, set on fire with lighter fluid during overly enthusiastic slide solos (actually did that a few dozen times until my shirt caught fire), and once even stabbed. It was being used by a bandmate where I was a bass player, and the gig ran over a half-hour past quitting time. The guitarist was having so much fun he didn't want to stop, so I casually walked over, popped out my trusty buck knife and stabbed my own guitar right between the pickups, cutting off the strings! DId I mention I was known to enjoy an alcoholic beverage now and then when I was young? Sorry to ramble, but my Mosrite represents many of the best times (and a few bad times) of my life to me.
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