Dan

panther wrote:I have a theory as to why the neck is doing this.
Normally if you want to bend a board, you can cut several cross grooves into the wood, that makes it easy to bent the board. Well basically, cutting grooves into the fretboard, then pounding wedges into those grooves, in the form of frets, is doing the same thing, the bend starts where the board has the least support, right at the point it leaves the body of the guitar, and that is exactly where this type bend originates. By removing the fret, and re-cutting the grooves. My idea is that the material removed when I re-cut the fret grooves, will be the amount of excess material that is causing the neck to bend.
Dan
panther wrote:What I did was actually remove the frets, apply glue to the grooves, add tension to the neck, to force the fret grooves closer together. Then when it completely dries, I re-cut the grooves with the proper width blade, so actually I'm not widening the grooves. The tension actually narrows the groove, then I re-cut it to proper width. In effect it should allow the downward bend to straighten slightly.
Dan
Mr. Bill wrote:I'm confused, you mention that frets 5 and 6 are high. Are you counting from the nut end or the bridge end? Tradition says to count from the nut end.
Neck adjustments using fret tanging is a fairly well know concept to anyone that has worked on older guitars, especially ones without truss rods. If you use a fret with a wider than normal width tang (the part that presses into the fingerboard) it will force the fingerboard to lengthen causing the neck to bend upward. Using a fret with an undersized tang will cause the fretboard to shorten causing the neck to bow under string tension. I think Micheal Gurian was the first to widely publish this concept. Normal modern truss rods have pretty much eliminated the need for this kind of work.
Besides reseating the frets, the simplest and most common fix for a few high frets is to level and crown the problem area of the fingerboard.
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